As I'am Album

By now established as a major and talented force in the mainstream music world, Alicia Keys has perhaps earned the right to explore a little, to venture into new genres while still keeping a foot firmly planted in the R&B/neo-soul she grew out of. On her third full-length, As I Am, Keys takes a step closer toward the soul revival popularized by John Legend, with full-band arrangements and bright horn hooks, only occasionally falling back into the piano/melisma combination that drove the singles off her first two albums. Instead, here, as evidenced in "No One" -- which sounds all too ready to take on a "reggae dance mix" -- the guitar-driven "I Need You," "Wreckless Love," or "Where Do We Go from Here," which pays tribute to both Stax and Motown ("All I can do/Is follow the tracks of my tears," she sings, after a sample of Wendy Rene's "After Laughter [Comes Tears]" crackles through the first few bars), this is music that owes as much to pop as it does R&B, highlighted no less by the fact that the queen of radio rock herself, Linda Perry, co-writes three of the songs with Keys, including the straight-from-the-Stripped-sessions "The Thing About Love" and "Superwoman." It is on the latter, in fact, that Keys, unsurprisingly, turns furthest away from the style that brought her initial success (more so even than on the John Mayer collabo, "Lesson Learned," which is actually not bad) toward the generic-pop world, sliding in between corny and sincere, sometimes even in the same breath. "When I'm breaking down/And I can't be found/...'Cause no one knows/Me underneath these clothes/But I can fly/We can fly," she sings in the bridge, flatly. Keys has never been a brilliant lyricist, but she's always been able to write simple yet affective and honest words that don't seem trite, something that is forgotten here, and makes the track one of the weakest on the album. Fortunately, this doesn't happen too often, and as As I Am weaves its way through the drums and various keyboards and vocal harmonies that make up the backbone of her work here, punctuated by the great, hooky melodies and strings, you get the impression that this is in fact the sign of an artist who's not content to only follow the path that's brought her previous acclaim, an artist who's looking to find more, both about herself and her music, and an artist who carries these developments, these insights, with her. And so even though As I Am is a flawed work -- a little too poppy, a little too clichéd -- it is also indicative of what Keys can and will do, and that she is someone, thanks to her curiosity, intelligence, and natural talent, who will be able to mature and grow for years to come. ~ Marisa Brown, All Music Guide

Compositions:

1. As I Am (Intro)
2. Go Ahead
3. Superwoman
4. No One
5. Like You'll Never See Me Again
6. Lesson Learned
7. Wreckless Love
8. The Thing About Love
9. Teenage Love Affair
10. I Need You
11. Where Do We Go from Here
12. Prelude to a Kiss
13. Tell You Something (Nana's Reprise)
14. Sure Looks Good to Me

You can download "As I'am" album here.

Alicia Keys Biography

Alicia Keys helped redefine the term "overnight sensation" when her 2001 debut effort, Songs in A Minor, sold more than 50,000 copies during its first day of release. Mixing R&B songcraft with a sultry dose of neo-soul, the album went on to move more than ten million units worldwide, officially establishing the young Alicia Keys (who was only 19 during the recording process) as an international star. Although she shared the charts with such R&B contemporaries as Destiny's Child, Keys' talents distinguished her as a different sort of diva, one who played a variety of instruments and penned the vast majority of her songs without outside help. The Diary of Alicia Keys solidified her popularity two years later, and Alicia Keys spent the rest of the decade refining her now-signature sound. Alicia Augello Cook was born in Harlem in early 1981. Raised by her Italian-American mother, she enrolled in classical piano lessons at the age of seven and began writing songs four years later. An education at the Professional Performance Arts School helped hone her vocal skills, and Alicia graduated at the age of 16 as the class valedictorian. Two Columbias loomed on the immediate horizon: Columbia University and Columbia Records, both of whom had extended offers to the talented student/musician. Although she attempted to make both options work, Alicia found it difficult to juggle the two commitments and chose to focus exclusively on her music career. Assuming the stage name of Alicia Keys, she began to work with Columbia and contributed a song to the Men in Black soundtrack, but disputes with the label resulted in her contract's termination. Keys bounced back by aligning herself with Clive Davis, the president of Arista Records, but work on her debut album stalled when Davis was ousted from the company in 2000. Davis soon formed his own label, J Records, and welcomed Keys back into the fold with an aggressive publicity campaign (including an influential appearance on the Oprah Winfrey show). Songs in A Minor was then released in June 2001 and debuted at the top of the charts, eventually netting five Grammys and platinum certifications in ten different countries. Released in 2003, The Diary of Alicia Keys enjoyed similar Grammy-certified success, and Keys released a book of poetry the following year. A live CD/DVD package, Unplugged, arrived in 2005 and followed Keys' two previous releases to the top of the charts, even if it failed to win any of the four Grammys for which it was nominated. Alicia Keys then entered the acting world, starring in both Smokin' Aces and The Nanny Diaries in 2007, before issuing the pop-influenced As I Am later that year. ~ Andrew Leahey, All Music Guide